Doma Dunny

Paul Budnitz

Tristan Eaton

DOMA, Argentina

2005

A small blue vinyl Dunny in which Paul Budnitz treats a mass‑produced toy form as a canvas for playful, street‑art–inflected graphics.

The smooth, rounded silhouette and oversized rabbit ears wear bright, sticker‑like motifs—a dripping rainbow, cartoon clouds, splatters of paint, and a yellow visor—that read like a compact, three‑dimensional pop mural.

Part of the early‑2000s designer‑toy movement, this piece shows how limited‑edition vinyl figures turned commercial manufacturing into a platform for artists, collapsing the lines between street art, product design, and collectible culture.

Palette

Art Terms

Popular culture Design Product design Plastic Mass production Edition

Exhibitions

Painting and Sculpture from the Museum Collection

1964

Function Without Form: Two Models for an Undesignable City

1969

Printed, Cut, Folded, and Torn

1974

Good Design

1953