Untitled (The Museum of Modern Art, New York, 2014)

Untitled (The Museum of Modern Art, New York, 2014)

Christopher Williams
American, born 1956
2014
An offset-lithograph poster by Christopher Williams that pairs a hyper‑saturated photographic image of apples with bold sans‑serif text—The Production Line of Happiness—using commercial visual language to probe how images and objects are made and sold.
You’re hit by the two‑color shock: luminous yellow fruit and type floating on a flat red ground so the picture reads like an uncanny advertisement or museum billboard reduced to a blunt slogan.
By collapsing photographic imagery and graphic display into a poster, Williams connects modern advertising, institutional exhibition design, and conceptual photography to reveal and critique the industrial production of desire and images.
Medium
Offset lithograph
Dimensions
composition and sheet: 27 7/8 x 21 7/8" (70.8 x 55.6 cm)
Classification
Department
Credit
Gift of the artist
Accession
301.2015.2
Palette
Art Terms
Exhibitions
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Very Similar

> 65%
Untitled (The Art Institute of Chicago, 2014) 87%

Untitled (The Art Institute of Chicago, 2014)

Christopher Williams

2014

Untitled (The Art Institute of Chicago, 2014) 87% Christopher Williams 2014 Offset lithograph Print Drawings & Prints composition and sheet: 33 7... American 301.2015.1
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2011

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2012

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2012–13

Untitled (Kabinett für aktuelle Kunst, Bremerhaven, Germa... 83% Christopher Williams 2012–13 Offset lithograph Print Drawings & Prints sheet: 19 5/8 x 18 7/8" (49... American 855.2013.21
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2011

Untitled (Williams Klasse, Kunstakademie Düsseldorf, Germ... 83% Christopher Williams 2011 Offset lithograph Print Drawings & Prints sheet: 23 3/8 x 16 9/16" (5... American 855.2013.19
Untitled (Kunsthalle Basel, Switzerland, 1996) 79%

Untitled (Kunsthalle Basel, Switzerland, 1996)

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1996

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Untitled (Sammlung Haubrok, Berlin, Germany, 2007) 78%

Untitled (Sammlung Haubrok, Berlin, Germany, 2007)

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2007

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Untitled (Govett-Brewster Art Gallery, New Plymouth, New Zealand, 2001) 77%

Untitled (Govett-Brewster Art Gallery, New Plymouth, New ...

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2001

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Untitled (Kunstverein München, Germany, 1993) 77%

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1993

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Untitled (Williams Studio, Dakar, Senegal, 1996) 76%

Untitled (Williams Studio, Dakar, Senegal, 1996)

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1996

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Untitled (MAK Center, Los Angeles, CA, 2001) 76%

Untitled (MAK Center, Los Angeles, CA, 2001)

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2001

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Untitled (Kunstverein Braunschweig, Germany, 2005) 76%

Untitled (Kunstverein Braunschweig, Germany, 2005)

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2005

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Untitled (Kunsthalle Zürich, Switzerland, 2007) 74%

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2007

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1992

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1997–98

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Untitled (Kunsthalle Zürich (Opening), Switzerland, 2007) 74%

Untitled (Kunsthalle Zürich (Opening), Switzerland, 2007)

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2007

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Untitled (Lodz Biennale, Poland, 2004) 74%

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2004

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Untitled (Museu de Serralves, Porto, Portugal, 2006) 73%

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2006

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Untitled (Haus Lange - Haus Esters, Krefeld, Germany, 2000-2001) 73%

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2000–2001

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2006

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Untitled (Luhring Augustine Hetzler, Santa Monica, CA, 1990) 72%

Untitled (Luhring Augustine Hetzler, Santa Monica, CA, 1990)

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1990

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Untitled (Vienna Secession, Austria, 2005-2006) 71%

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2005–06

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2013

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2013

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1970

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(1982-83)

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