Untitled
Peter Halley
American, born 1953
2003
A small work in synthetic polymer paint on printed paper in which Peter Halley reduces architecture and social systems to a stacked, geometric 'cell'—an outer gray frame, a gold interior with four narrow vertical bars outlined in neon yellow, and a bright red base—inviting reflection on confinement and circuitry.
What hits you first is the spare, centered symmetry: a muted gray square enclosing a warm gold field that contains four slim gray columns edged in acidic yellow, all set above a vivid red band against a white ground.
Continuing the Neo‑Geo language Halley developed in the 1980s, this intimate drawing uses industrial color and flat geometry to make visible networks of containment and urban power structures, translating his large‑scale paintings into a quieter, graphic register.
Medium
Synthetic polymer paint on printed paper
Dimensions
11 x 8 1/2" (27.9 x 21.6 cm)
Classification
Department
Credit
The Judith Rothschild Foundation Contemporary Drawings Collection Gift
Accession
1808.2005
Palette
Art Terms
Exhibitions