← Exhibitions

Sixty Photographs: A Survey of Camera Esthetics

December 31, 1940 – January 12, 1941 23 installation images
View on moma.org ↗

On December 31, 1940, the Museum opened Sixty Photographs: A Survey of Camera Esthetics, the inaugural exhibition of MoMA's Department of Photography. The exhibition was organized by Beaumont Newhall, who became MoMA’s first curator of photography, and photographer Ansel Adams, with whom Newhall had worked closely to establish the new department. In the exhibition catalogue, Newhall described the basis for creating this department in terms of technological and social development: advancements in cameras and photographic material had resulted in an unprecedented proliferation of pictures in daily life, and taking pictures had become a “universal hobby.” Newhall argued that “there is danger in this amazing growth. Through the very facility of the medium its quality may have become submerged.” The exhibition—like the collecting practices of the department—was intended to preserve and promote artistic excellence in photography, “not to define but to suggest the possibilities of photographic vision.”

2 Curators

Ansel Adams
American, 1902–1984
Beaumont Newhall
American, 1908–1993

30 Artists

Resonant Works

Artworks semantically connected to this exhibition's themes and artists

16 works
Alfred Stieglitz, An American Place, New York

Alfred Stieglitz, An American Place, New York

Ansel Adams

1939

Alfred Stieglitz at his desk at An American Place

Alfred Stieglitz at his desk at An American Place

Ansel Adams

1938

Museum Storeroom

Museum Storeroom

Ansel Adams

1933

Steichen with Photographic Paraphernalia - Self-Portrait

Steichen with Photographic Paraphernalia - Self-Portrait

Edward Steichen

1929

Alfred Stieglitz

Alfred Stieglitz

Imogen Cunningham

1934

Edward Weston

Edward Weston

Ansel Adams

c. 1950

Bernard M. Baruch

Bernard M. Baruch

Edward Steichen

1932

Alfred Stieglitz, New York

Alfred Stieglitz, New York

Henri Cartier-Bresson

1946

Untitled

Untitled

Anton Bruehl

c. 1930

Charles Sheeler, West Redding, Connecticut

Charles Sheeler, West Redding, Connecticut

Edward Steichen

c. 1932

Alexander Calder

Alexander Calder

Arnold Newman

1957

Henri Cartier-Bresson

Henri Cartier-Bresson

George Hoyningen-Huene

1935

Ansel Adams at 683 Brockhurst

Ansel Adams at 683 Brockhurst

Willard Van Dyke

c. 1933

Alfred Stieglitz

Alfred Stieglitz

Imogen Cunningham

1934

Self-Portrait with Studio Camera

Self-Portrait with Studio Camera

Edward Steichen

c. 1917

The Museum of Modern Art

The Museum of Modern Art

Robert Frank

late 1950s

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