Sixty Photographs: A Survey of Camera Esthetics
On December 31, 1940, the Museum opened Sixty Photographs: A Survey of Camera Esthetics, the inaugural exhibition of MoMA's Department of Photography. The exhibition was organized by Beaumont Newhall, who became MoMA’s first curator of photography, and photographer Ansel Adams, with whom Newhall had worked closely to establish the new department. In the exhibition catalogue, Newhall described the basis for creating this department in terms of technological and social development: advancements in cameras and photographic material had resulted in an unprecedented proliferation of pictures in daily life, and taking pictures had become a “universal hobby.” Newhall argued that “there is danger in this amazing growth. Through the very facility of the medium its quality may have become submerged.” The exhibition—like the collecting practices of the department—was intended to preserve and promote artistic excellence in photography, “not to define but to suggest the possibilities of photographic vision.”
2 Curators
30 Artists
Resonant Works
Artworks semantically connected to this exhibition's themes and artists
Alfred Stieglitz, An American Place, New York
Ansel Adams
1939
Alfred Stieglitz at his desk at An American Place
Ansel Adams
1938
Museum Storeroom
Ansel Adams
1933
Steichen with Photographic Paraphernalia - Self-Portrait
Edward Steichen
1929
Alfred Stieglitz
Imogen Cunningham
1934
Edward Weston
Ansel Adams
c. 1950
Bernard M. Baruch
Edward Steichen
1932
Alfred Stieglitz, New York
Henri Cartier-Bresson
1946
Untitled
Anton Bruehl
c. 1930
Charles Sheeler, West Redding, Connecticut
Edward Steichen
c. 1932
Alexander Calder
Arnold Newman
1957
Henri Cartier-Bresson
George Hoyningen-Huene
1935
Ansel Adams at 683 Brockhurst
Willard Van Dyke
c. 1933
Alfred Stieglitz
Imogen Cunningham
1934
Self-Portrait with Studio Camera
Edward Steichen
c. 1917
The Museum of Modern Art
Robert Frank
late 1950s
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