The New York Collection for Stockholm
Lee Bontecou
American, 1931–2022
Robert Breer
American, 1926–2011
John Chamberlain
American, 1927–2011
Walter De Maria
American, 1935–2013
Jim Dine
American, born 1935
Öyvind Fahlström
Swedish, born Brazil. 1928–1976
Dan Flavin
American, 1933–1996
Red Grooms
American, born 1937
Hans Haacke
German, born 1936
Alex Hay
American, born 1930
Donald Judd
American, 1928–1994
Ellsworth Kelly
American, 1923–2015
Sol LeWitt
American, 1928–2007
Roy Lichtenstein
American, 1923–1997
Robert Morris
American, 1931–2018
Louise Nevelson
American, born Ukraine. 1899–1988
Kenneth Noland
American, 1924–2010
Claes Oldenburg
American, born Sweden. 1929–2022
Nam June Paik
American, born Korea. 1932–2006
Robert Rauschenberg
American, 1925–2008
James Rosenquist
American, 1933–2017
George Segal
American, 1924–2000
Richard Serra
American, 1938–2024
Keith Sonnier
American, 1941–2020
Richard Stankiewicz
American, 1922–1983
Mark di Suvero
American, born China 1933
Cy Twombly
American, 1928–2011
Andy Warhol
American, 1928–1987
Robert Whitman
American, 1935–2024
1973
A printed sheet from Robert Morris’s 1973 portfolio that looks exactly like a plain wood panel—a screenprint/lithograph meant to make you question whether you are seeing material or image.
You first notice a calm, warm-brown plane with subtle vertical grain and faint tonal shifts that convincingly suggest mahogany while remaining perfectly flat and object-like, so your eye flips between surface and depiction.
By treating mechanically reproduced surfaces as sculptural objects, Morris tied Minimalist restraint to Conceptual questions about perception, authorship, and the boundary between image and thing, expanding what a print portfolio could be.
Medium
Portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph
Dimensions
composition (see child records): dimensions vary; sheet (orientation varies, each approx.): 9 × 12" (22.9 × 30.5 cm) or 12 × 9" (30.5 × 22.9 cm)
Classification
Department
Credit
Gift of Steven M. Feinstein
Accession
625.1973.1-30
Palette
Exhibitions